Ashdown ABM C210T-500 EVO II (575W 2x 10” + tweeter combo)

 ABM C210T-500 EVO II (575W 2x 10” + tweeter combo)
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Ashdown ABM C210T-500 EVO II (575W 2x 10” + tweeter combo)
 

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  • Product Description
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The ABM C210-500 EVO II combo combines the features of the ABM 500 EVO II head with 2 X 10" Ashdown BlueLine drivers plus HF tweeter in a precision tuned cabinet. The cabinet is constructed from high-grade birch ply with properly screwed and glued joints, protected by a tough, buffalo leather cloth covering and chromed metal corners. All amplifier chassis are built from heavy-duty 16 swg zinc coated mild steel, foil lined to minimise interference, and special Ashdown-designed metal handles are used in favour of inferior flip handles which can rattle after years of use.

The ABM 500 EVO II is a 575 watts RMS bi-amp bass amp head designed to satisfy both bass-purists and tech-heads alike. Three straightforward rotary tone controls provide 20dB of cut and boost at 60Hz, 660Hz and 5kHz, and are supplemented by two pairs of additional sliders giving 15dB cut and boost at 180Hz, 340Hz, 1.3kHz and 2.6kHz. The EQ can be switched in/out, and flat/shaped by footswitch, enabling players to go from a flat fretless sound to a boosted sound via a favourite EQ setting. A single input is switchable for passive and active instruments with a blend of solid state and dual triode tube preamps stages which can be preset and selected by footswitch, providing access to a massive range of clean, warm and overdriven tones. Also footswitchable is the mighty Ashdown sub-harmonic generator which precisely tracks the main signal and reproduces it an octave lower. A sub-harmonic level control enables the player to add just the right amount of low-end reinforcement - everything from a subtle, thickening of the sound to unbridled, bone crushing tone. The ABM 500 EVO II features a front-panel mounted balanced DI out with pre or post EQ switching, a sub-bass output, a tuner output, an FX loop and a line input for the connection of an external sampler or sound source. Output muting cuts the signal from the DI output but leaves the tuner output 'live', allowing the player to tune up in silence. A new upgraded power section has faster transient attack, more headroom and even less noise.

Ashdown BlueLine speakers are specially developed to achieve a superb balance of power, transparency and deep, controlled low end, without sacrificing any of the mid-band attack and high-end brightness that are so important in a modern bass sound.

Specifications

  • Power Output (RMS) 575W
  • Power Requirement 230 / 115V
  • Speaker Configuration 2 x 10" BlueLine bass drivers + HF tweeter
  • Frequency Response -3dB at 17Hz and 30kHz
  • Speaker Outputs Minimum impedance 4 Ohms
  • High Instrument Input Impedance 3.9m Ohms, input range 150mV - 20mV p-p
  • Low Instrument Input Impedance 10k Ohms, input range 300mV - 40V p-p
  • Line Input Impedance 22k Ohms, input level 0dBu nominal
  • Sub Output Impedance 1k Ohms, level 0dBu Nominal
  • DI Output 600 Ohms balanced, level 0dBu nominal
  • Tuner Output Impedance 22k Ohms, level 0dBu nominal
  • EQ
    • Bass +/-15dB @ 45Hz
    • Middle +/-15dB @ 660Hz
    • Treble +/-15dB @ 7kHz shelving
    • Slider 1 +/-15dB @ 180Hz
    • Slider 2 +/-15dB @ 340Hz
    • Slider 3 +/-15dB @ 1.3kHz
    • Slider 4 +/-15dB @ 2.6kHz
    • Shape (Push Flat) +8dB @ 50Hz & 4kHz, -8dB @ 400Hz, filter slope - 6dB/octave
  • Effects Send Impedance 22k Ohms, level 0dBu nominal
  • Effects Return Impedance 22k Ohms, input level 0dBu Nominal
  • H x W x D (mm) 587 x 610 x 335
  • Weight (kg) 38

Used by

  • Darren Campbell - Relish
  • Jay Castaldi - M.O.T.O and Lynyrd's Innards
  • Steve Flett - Ooberman
  • Norbert Hamm - Herbert Grönemeyer
  • Jens-Ulrich Handreka
  • Jauqo III-X - Jauqo III-X Reality
  • Dan Rasmussen
  • Jean Savoie - (OR-GAN'IK)

The best

Tom
November 4, 2007

Rating: 9/10

I find it almost impossible to fault this amplifier. For years I never bothered to spend decent money on a bass amp as I felt as long as it was bassy that would do. This amp though with it's sensitive eq and great valve options gives me everything I need from a bass amp. Because of these controls I can change settings between songs giving me anything from a bass heavy thick tone for my rythmic songs to a sharp grinding tone for lead bass parts ( a la klaxons). It is a pleasure to use and I insist on using it for all of the gigs my band plays. The other bands who share it with me never seem to mind! If you don't believe the quality just find the bassists on tv shows from festivals and gigs and have a look at what amp they are using.

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  • NAMM 2007: New Ashdown Classic bass amps are louder, deeper and even more dynamic

    Winter NAMM 07 sees the launch of an uncompromising new series of high-end, British-built bass amplification from Ashdown Engineering. The company that already makes the bass gear used by players including U2's Adam Clayton, SOAD's Shavo Odadjian and the Foo Fighters' Nate Mendel is set to raise the bar even higher with Ashdown Classics – a range that includes 500 and 1000-Watt amp heads, three 500-Watt combos and four cabinets.

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Competition - Have your say

Have your say and submit your own product review on the Ashdown ABM C210T-500 EVO II (575W 2x 10” + tweeter combo)
Please let us know what you think of the Ashdown ABM C210T-500 EVO II (575W 2x 10” + tweeter combo) or any other product on our site. The best review chosen from all that are submitted this month will win a fantastic pair of M-Audio IE-30 - High-Definition Professional Reference Earphones with Dual-Driver Technology worth £189.00 M-Audio IE-30
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